Sunday, August 19, 2012

Fahrenheit 451: Mildred Character Description


Mildred is Guy Montag’s wife.  She is very different from Montag.  All day, it appears that Mildred is either watching the family in the parlor or listening to her seashells.  She, like so many other people in this book’s society, has practically alienated herself from the world except for when she occasionally has her friends come over to visit or she goes to visit them and their family.  “And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind. The room was indeed empty. Every night the waves came in and bore her off on their great tides of sound, floating her, wide-eyed, toward morning.  There had been no night in the last two years that Mildred had not swum that sea…” (Bradbury 5)  She enjoys watching the family so much that she refuses to turn it off or even down when Montag wants to talk to her. 
Unlike Montag, she is not so caring for others.  When Montag told her about the woman that set fire to her house, she replied, “"She's nothing to me; she shouldn't have had books.  It was her responsibility, she should've thought of that.  I hate her.  She's got you going and next thing you know we'll be out, no house, no job, nothing." (Bradbury 24)  This in a way foreshadowed what would happen later, except that it was Mildred and her friend that informed Captain Beatty about Montag’s books.  Once she felt like everything was over, when the house was going to be burned down and Montag sent to jail, she swiftly walked, carrying a suitcase, to a taxi and the only “goodbye” or “I love you” she gave was “"Poor family, poor family, oh everything gone, everything, everything gone now ...." (Bradbury 52)  Okay, so maybe she didn’t say goodbye to Montag, but at least she told her precious family that.  This was the last time that Mildred was mentioned.  Who knows what became of her. 

Bradbury, Ray. Fahrenheit 451. New York: Simon and Schuster, 1967. Print.

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