The conflict in this book is
Santiago’s fight to catch a huge marlin fish and take him to the island. Santiago had gone eighty-four days without
catching a single fish. For some reason
he felt that eighty-five was a lucky number and with the current being pleasant
he would be able to catch a big fish (Hemmingway 4). He decides to travel far out into the ocean
away from the bay where the depth is significantly deeper (Hemmingway 10). After letting several baits down into the
water and waiting for several hours, he feels one of the lines being tugged
with significant pressure (Hemmingway 14).
The first
part of the conflict from this point is trying to kill the fish. The trouble for the old man increases at
several points such as when he cuts his hands a couple of times, waits multiple
days before he even sees the fish that he caught, and he also becomes very
timed but yet unwilling to sleep because he does not want anything to go wrong
in catching the marlin. He becomes so
sore and tired that it is unclear if such an old man would be capable of even
reeling the fish in. The conflict also
increases when Santiago seems to be losing willpower by thinking, “You are
killing me, fish, the old man thought. But you have a right to. Never have I
seen a greater, or more beautiful, or a calmer or more noble thing than you,
brother. Come on and kill me. I do not
care who kills who.” (Hemmingway 35)
Eventually Santiago kills the fish with his harpoon, but the conflict
does not end there. The fish was so big
that it had to be tied onto the end of the boat. Some blood was leaking out from an open wound
inflicted by the harpoon. During his
journey back to the island, Santiago is forced to fight off and kill several
sharks that come because they have smelt the blood. Each time a shark comes and bites some of the
meat off, some more blood is released into the water, which only attracts more
sharks.
The
conflict decreases only after the sharks have eaten all that was left of the
fish except the head. After most of the
fish had been eaten by the sharks, Santiago gave up on trying to fight them
off. It is shown that Santiago is not sore
about what happened and he let the matter go.
The narrator tells us in the end, “Up the road, in his shack, the old
man was sleeping again. He was still sleeping on his face and the boy was
sitting by him watching him. The old man was dreaming about the lions.” (Hemmingway
48) The old man was peaceful when he was
dreaming of the lions in Africa, and by not dreaming about the big fish it
shows that he is at peace over what happened.
Hemingway, Ernest. The Old Man and the Sea. New York:
Scribner, 1952. Print.
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