The fish that Santiago spends days
trying to catch, a fifteen-hundred or more pound marlin, is the next subject in
this book with a symbolic connection. Like
the turtle, Santiago also compared the fish to himself. One similarity that he mentioned is that he
and the fish both went where each thought that he would be safe. The marlin was in deep waters, away from the
fishermen who would stay fairly close to the bay. The old man went to the deep waters because
for the first eighty-four days he had no success in the shallower waters and he
needed to find a big fish that would support himself both financially and by
the means of food- some days he only drank a cup of coffee (Hemmingway
10). Also, neither one of them had any
help (Hemmingway 18). The fish, of
course, did not and Santiago went fishing without Manolin that day. Also, they would be together until one of
them dies; Santiago had thoughts that maybe he would die before the fish. The old man and the fish, in addition, were
also both hurt. Santiago noticed blood
on the line, meaning the marlin was cut, and his hands had been cut, too. He says, “You’re feeling it now, fish,” he said.
“And so, God knows, am I.” (Hemmingway 20)
Santiago also calls the fish strange just as he calls himself
strange. “If you’re not tired, fish, you
must be very strange.” (Hemmingway 25)
Finally, the old man calls the fish “calm, strong, and confident”. Right after saying this he also says, “You
better be fearless and confident yourself, old man, you’re holding him again
but you cannot get line.” (Hemmingway 25)
It is clear by Santiago’s actions that although he is old, he is also
quite strong.
Lastly, Santiago, in a way, can
come to symbolize a sort of Christ character.
He prays while he is fishing (Hemmingway 25), gets cuts on his palms
(Hemmingway 43) (representing how Jesus was pierced at his palms), and when he
eventually returns back on the island, he carries the mast across his shoulders
(Hemmingway 45) (Jesus had to carry a cross across his).
Hemingway, Ernest. The Old Man and
the Sea. New York: Scribner, 1952. Print.
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